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Comment penser l'erreur en régie d'art contemporain ?

By Ivan Clouteau

Abstract

Le présent article souhaite entamer une réflexion sur un cadre théorique pour traiter durablement de l'erreur en régie d'art contemporain. En tenant compte d’une part de la reconnaissance récente de l’activité en France et des spécificités de l’art contemporain d’autre part, nous nous interrogerons sur la manière dont le traitement de l’erreur participe à la construction d’un modèle professionnel.<br>The present article intends to engage a reflection on a theoretical frame to deal durably with the error in the registrar's and art preparator's practices in contemporary art. By taking into account on one hand the recent recognition of the activity in France and on the other hand the specificities of the contemporary art, we will examine the way in which the treatment of the error can partake in the construction of a professional model

Topics: contemporary art, registrar, implementation, art contemporain, régie, activation des oeuvres, Arts in general, NX1-820, Fine Arts, N, DOAJ:Arts in general, DOAJ:Arts and Architecture
Publisher: Association CeROArt
Year: 2009
OAI identifier: oai:doaj.org/article:084b76f3cf6546b6be5277b9eacd19e8
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  • https://doaj.org/toc/1784-5092 (external link)
  • http://ceroart.revues.org/1181 (external link)
  • https://doaj.org/article/084b7... (external link)
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