Article thumbnail

The plays of Girish Karnad: A Study in Power Politics

By Arjunsinh K. Parmar

Abstract

Not availabl

Topics: PE English
Year: 2011
OAI identifier: oai:etheses.saurashtrauniversity.edu:842

To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request.

Suggested articles

Citations

  1. (1999). 20 Years of Indian Writing,
  2. (1982). A History of India English Literature,
  3. (1991). A History of Indian Literature - VIII,
  4. (2003). An Inquiry into the Indianness of Indian English Literature,
  5. (1982). An Interview with Girish Karnad",
  6. (1991). An Introduction to the Study of Literature.
  7. (1975). Ancient Myth and Modern Man, doi
  8. (1987). Arms and the Man, doi
  9. (1987). Bengali Theatre, New Delhi: National Book Trust,
  10. (1994). By Girish Karnad, doi
  11. (1974). Contemporary Indian Philosophy – doi
  12. (1989). Contemporary Indian Tradition. Washington and London:
  13. (1977). Critical Essays on Indian Writing in English,
  14. (1943). Dictionary of World Literature: Criticism – Form – Technique, doi
  15. (2003). Dramatic Art of Girish Karnad” and “Myth as Symbol: An Interpretation
  16. Encarta Encyclopedia. doi
  17. (1999). Encyclopedia of World Mythology
  18. (1996). Girish Karnad and an Indian Theatre of Roots," An Introduction to Post-colonial Theatre. doi
  19. (2006). Girish Karnad’s Plays: Performance and Critical Perspectives,
  20. (1997). Indian Drama Today.
  21. (2003). Indian English Drama – A Study in Myths,
  22. (2000). Indian English Drama: Critical Perspectives,
  23. (2001). Indian English Literature 1980-2000. New Delhi: Pencraft International,
  24. (2005). Indian English Literature, Ed., Gajendra Kumar and Uday Shankar Ojha,
  25. (1990). Indian Literature in English. doi
  26. (1967). Indian Mythology, London: Paul Hamlyn,
  27. (1992). Indian Theatre: Tradition, Continuity and Change,
  28. (1982). Indian Writing in English, doi
  29. (2001). Indian Writing in English: A Critical Response. New Delhi: Creative Books,
  30. (1976). Indo-Anglian Literature, doi
  31. (1970). Its Meaning and Function doi
  32. (1972). Joseph Campbell, Delhi: Motilal Banarasidass Publishers Private Limited,
  33. (2000). Modern Indian Drama, New Delhi: Sahitya Akademi Publication,
  34. (1998). Modern Theories of Drama – A Selection of Writing
  35. (2003). Myth in Contemporary Indian Fiction in English", Indian Literature,
  36. (1961). Myths and Legends of India,
  37. (2010). Myths in Girish Karnad’s Plays: A Critical Study.
  38. (1999). Naga-Mandala Reconsidered’, The Plays of Girish Karnad: Critical Perspectives, Ed. by Jaydipsinh Dodiya,
  39. (1998). New Delhi: Indian Association for English Studies,
  40. (1978). On Girish Karnad's Tughlaq". doi
  41. (1998). Reading and Criticism,
  42. Ritual, and Religion, doi
  43. (2004). Spectrum of Indian writing in English Jaipur: Book Enclave,
  44. (2000). Sudhakar Pande and Freya Taraporewala,
  45. (2002). Switching Heads and cultures: Transformation of an Indian Myth by Thomas Mann and Girish Karnad, doi
  46. (1994). The Bhagvad Gita,
  47. (1974). The Black Mind: A History of African Literature,
  48. (1990). The Cambridge Guide to Theatre. Cambridge UP Updated Ed, doi
  49. (1983). The Columbia - Viking Desk Encyclopedia DEIL Publication,
  50. (1949). The Essentials of Indian Philosophy, London: George Allen and Unwin, doi
  51. The Field of Drama. Great Britain: Metheun,1987. Ghosh, Nibir Kanti. “Girish Karnad’s Tughlaq: History in the Future Tense,” Fifty Years of Indian Writing.
  52. (1997). The Fire and the Rain.
  53. (2000). The Indian Imagination of Girish Karnad,
  54. (1984). The Many Meanings of Myth, doi
  55. (2004). The Oxford Companion to Indian Theatre, doi
  56. (1999). The Plays of Girish Karnad – Critical Perspectives, Ed. Jaydipsinh Dodiya,
  57. (1997). The Principal Upanishadas,
  58. (1998). The Real and Ideal in Karnad's Plays", The Quest,
  59. (1987). The Sanskrit Drama, Delhi: Motilal Banarasidass,
  60. (2006). The Sense of History and Tradition in Girish Karnad’s Hayavadan, Indian writing in English Critical Appraisals by Amarnath Prasad,
  61. (1977). The University Desk Encyclopedia
  62. (2002). The Words of Dead Man are Modified in the Guts of the Living" Do Touchstones Valorize Girish Karnad's Writing?'.
  63. (1982). The World to Come, doi
  64. (1990). Theatre and the World. London & doi
  65. (2004). Three Plays of Girish Karnad: A Study in Poetics and Culture: Hayavadana-Tale Danda-The Fire and the Rain.
  66. (1978). Traditional African Festival Drama,
  67. (1979). Traditions of Indian Theatre, doi
  68. (1979). Trans. into Hindi by
  69. (1987). Trans. Swami Tyagisananda,
  70. (1989). Translation of The Mahabharata, 2) The Book of the Assembly Hall, 3) The Book of the Forest, doi
  71. (1973). When the Golden Bough Breaks, doi