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Performed promiscuities: Interpreting interculturalism in the Japan Foundation Asia Centre's LEAR

By H. Grehan

Abstract

I feel we have entered a world of immense communicability, in which artists especially, who are always sensitive to communication systems, wish to be 'promiscuous' with their cultural influences, as indeed they always have been.[1]\ud R. Schechne

Publisher: Gender and Cultural Studies, School of Culture, History and Language, College of Asia and the Pacific, The Australian National University.
Year: 2000
OAI identifier: oai:researchrepository.murdoch.edu.au:14710
Provided by: Research Repository

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