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Reading the reading : an exegesis on "traces... vestiges... energies... a relic... landmark... stage: New Farm Powerhouse Project"

By Leah King-Smith

Abstract

As an artist Leah King-Smith has worked for several years in the creative medium of photography exploring notions of multidimensional states of consciousness particularly in reference to the psychic work of Jane Roberts. In this thesis King-Smith presents her creative developments as a technological shift from analogue to digital imaging, and continues, in her Research Project, to follow the same threads of investigation into the use of multi-layering as symbol and expression of simultaneous time. The thesis is two-fold in approach where in the first section, processes, contexts and concepts are presented and in the second section the themes and analysis of the final works are expressed through a creative writing style. The dichotomous method of interpretation in these two sections embodies\ud the antithetical relationship artists experience between reflexive analysis and creative practice as methods of knowledge

Topics: Art and technology, Photography Digital techniques, visual art, creative art, creative writing, exegesis, photography, post photography, digital imaging, art and technology, multidimensional reality, Jane Roberts, New Farm Powerhouse, thesis, masters
Publisher: Queensland University of Technology
Year: 2001
OAI identifier: oai:eprints.qut.edu.au:36448
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