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The concept of pathet in Central Javanese gamelan music.

By S. Hastanto
Topics: Literature Mass media Performing arts Anthropology Folklore
Year: 1985
OAI identifier:
Provided by: Durham e-Theses

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  3. (1976). Gending-Bending Jawa Gaya Jogyakarta, 3 vols. Surakarta: ASKI. Warsapradangga
  4. (1975). Gending-gending Jawa Gaya Surakarta, 3 vols.
  5. (1980). Karawitan Iringan Tari, "
  6. (1980). Lagu, Laras, Layang: Rethinking Melody
  7. (1981). Masalah-masalah Dasar Pengembangan Seni Tradisi.
  8. (1981). Mode, "
  9. (1973). Music in Java. Ed. Ernst Heins. 2 vols. The Hague: Martinus Nijhoff.
  10. (1885). On the Musical Scales of Various Nations, " doi
  11. (1975). Prescriptive and Descriptive Music Writing, " in his Studies in Musicology 1935-1975,168-181. Berkeley: University of California Press.
  12. (1975). Pusat Kesenian Jawa Tengah dan Dewan Mahasiswa ASKI Surakarta.
  13. (1966). Slendro and Pelog Redefined, " Selected Reports (Institute of Ethnomusicology,
  14. (1972). Some Thoughts about Pathet, "
  15. (1972). Sudarjana and Adi Susanto
  16. (1979). Sulukan, Pathetan dan Ada-ada Laras Pelog dan Slendro.
  17. (1954). The Nuclear Theme as a Determinant of Patet doi
  18. (1974). thesis University of Michigan. TT Sources of Gendhing Notation Consulted Mangunpangrawit n. d. [Manuscript collection of gendhing notation in kepatihan notation].

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