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Nearly Nothing

By D. Paterson

Abstract

In this exhibition catalogue essay for a group exhibition held a Viewfinder Gallery, London, 2008, I consider the genealogy of an approach to photographic image making as an essential ambiguous and ambivalent practice. The catalogue essay was reprinted by the gallery as part of an anthology of exhibition texts in 2009

Topics: N1
Publisher: Viewfinder Gallery, London
Year: 2008
OAI identifier: oai:eprints.gla.ac.uk:45968
Provided by: Enlighten
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