University of Naples - L'Orientale

ARCHIVIO ISTITUZIONALE DELLA RICERCA-UNIVERSITA' DEGLI STUDI DI NAPOLI "L'ORIENTALE"
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    Sound, Smell, Objects, and the Discursive Space of Nagai Kafū’s 1920s Fiction

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    Throughout his life, Nagai Kafū (1879–1959) tackled crucial issues of modernity, such as the urban experience and conflicting notions of selfhood. This article explores some aspects of his narrative practice that enrich our understanding of his literary output while suggesting new avenues for future research on space-time representation in twentieth-century literature. I focus on passive senses such as hearing and smell, and on material objects and physical sensations as narrative devices employed by the author in order to broaden comprehension and enrich the experience of objective reality. In particular, I examine Yukidoke (Melting Snow), a 1922 short story understudied thus far but that offers useful insights as regards the author’s intent to defy superimposed notions of affect and space

    {PCA} and other dimensionality-reduction techniques

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    Heritage languages and the study of Malayo-Polynesian diasporas

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    The Qur'an: A Guidebook

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    Écrire de loin et écrire sur soi: le défi (gagné) de Wael Kadour

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    Depuis le soulèvement de 2011, le théâtre syrien représente sans doute l’une des réalités artistiques post-migratoires parmi les plus intéressantes. À travers des expériences multiples et différentes, les mises en scène du théâtre syrien de la diaspora constituent un ensemble cohérent et soulèvent des questions essentielles pour comprendre notre contemporanéité

    Perché una nuova traduzione

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    Il libro propone una nuova traduzione dal nederlandese, realizzata da Dafne Paris, della versione A e di brani della versione B dei Diari, con l'intento di sottolineare l'evoluzione linguistica, letteraria e culturale di Anne. Vi è anche una seconda prefazione di Wlodek Goldkor

    Raccontare un artista. Salvatore di Giacomo biografo di Vincenzo Gemito

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    Italy

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    A critical overview of Italian theatre from 1989 onwards, with a discussion of context, key issues and trends in theatre-making

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